- 7/11
Diskrepant live
@ Nordic Sound Station 2012
Eskilstuna, Sweden
- 3 x 3' Mini-CDs
to be released on Attenuation Circuit
in June, September & December 2012
- Fourth album
- First live album
Ex Machina Libertas
(Fractured Spaces Records, CD)
Into Sleep
(Fin de siécle media, CD)
33 -12
(Fin de siécle media, CD)
For People With Ears To Hear
(Inner Cinema, CD, V/A)
Folie á Deux, Split - Proven In Action, V/A - The Last Bleak Days,
V/A
DISKREPANT - EX MACHINA LIBERTAS
(FracturedSpacesRecords)
Diskrepant is a Swedish unit that seem to have 3 releases out on various
labels such as Fin de Siecle Media. This will be their fourth and they
seem to like the darker, organic side of deep drones and musique Konkret.
It sounds like something that would be very much in tow with Muslimgauze,
Daniel Menche or even Steve Roach at times.
There is a very haunting other-world feeling to all the recordings. If
you like the creepier side of Schloss Tegal then you're going for the
right direction. Cold Spring, Soleilmoon or Malignant records fans will
find this amazing and magical in the layers of field recordings and minimal
builds. Though it never become a noise release there are very noiseish
moments.
If the dead can talk to the living I do feel this is the soundtrack they
would communicate with. Fantastic release for FracturedSpaces and a genre
improving release ....
Clint Listing
Absolute Zero Media
http://absolutezeromedia.us
Pictures from the Baltic Tour 2012
can be seen here: Baltic
Tour 2012
Pictures from the European Tour 2011
can be seen here: European
Tour 2011
Check out b°tong & Origami Galaktika, live from the tour: b°tong live
at K4, Praha 2011 Origami Galaktika
live at K4, Praha 2011
Pictures from the European Tour 2010
can be seen here: European
Tour 2010
I started to experiment with sounds as Diskrepant in 1997. Then living
in Eskilstuna, Sweden I shared a studio where I could make all the noise
I wanted. I started exploring the posibilities of feedback, voice and
effects and from there it went.
I now work mostly with my computer, combining sounds from analog modular
systems, acoustic, concrete sounds, field recordings and effects.
Live I use contact microphones, vibrators, gadgets and effect modules
to form gloomy soundscapes and noisy, abstract sound environments.
